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source: kris-stewart.org

source: kris-stewart.org

Michael Bay (pictured), director and producer of the blockbuster Transformers series, beat mogul Steven Spielberg to top Vanity Fair's inaugural list of Hollywood's Top 40 Money Makers, which the magazine releases on Tuesday. Bay pulled in $125 million last year, according to the magazine, ahead of Spielberg ($85 million), action director Roland Emmerich ($70 million), Avatar auteur James Cameron ($50 million), and Todd Phillips, producer of The Hangover ($44 million). The magazine limits its list to film-industry creatives: producers, directors, and stars.

Nine women made it into the top 40. The list's highest-ranking actress, Emma Watson (no. 14), beats out Cameron Diaz (no. 19), Sarah Jessica Parker (no. 24), Katherine Heigl (no. 25), and Reese Witherspoon (no. 31). For now, Hogwarts trumps vampires: Along with Watson, Harry Potter hero Daniel Radcliffe (no. 6) and supporting actor Rupert Grint (no. 15) rank far above Twilight co-stars Robert Pattinson (no. 35) and Kristen Stewart (no. 37).

The magazine interviewed scores of Hollywood insiders to compile the list, says contributing editor Peter Newcomb, who compiled the list. Although agents, lawyers, studio executives, and even the stars themselves provided the deal numbers, calculating the earning power isn't always an exact science, Newcomb says.

Who will we see on the list in 2011? Count on Twilight's Taylor Lautner to be here, and for a stronger showing from the King of the World. Avatar director Cameron helped generated sales of more than $800 million for 2009, and his no. 1 movie will most likely also be on the 2010 list a year from now. Also hitting multiplexes this year: the third Fockers installment, for which Robert De Niro and Ben Stiller will each earn about $20 million. Owen Wilson will pull in $15 million for his efforts.

The March Vanity Fair will be on newsstands in New York and Los Angeles on Wednesday and will be available nationally on next Tuesday. Here's the full list:

1. Michael Bay, producer-director ($125 million)
2. Steven Spielberg, producer-director ($85 million)
3. Roland Emmerich, producer-director ($70 million)
4. James Cameron, producer-director ($50 million)
5. Todd Phillips, director ($44 million)
6. Daniel Radcliffe, actor ($41 million)
7. Ben Stiller, actor ($40 million)
8. Tom Hanks, actor ($36 million)
9. J. J. Abrams, producer-director ($36 million)
10. Jerry Bruckheimer, producer ($35.5 million)
11. Tyler Perry, actor-director-producer ($32.5 million)
12. Adam Sandler, actor-producer ($31.5 million)
13. Denzel Washington, actor ($31 million)
14. Emma Watson, actor ($30 million)
15. Rupert Grint, actor ($30 million)
16. Owen Wilson, actor ($29 million)
17. Nicolas Cage, actor ($28 million)
18. Russell Crowe, actor ($28 million)
19. Cameron Diaz, actor ($27 million)
20. Brian Grazer, producer, and Ron Howard, director-producer ($25.5 million)
21. Johnny Depp, actor ($25 million)
22. Steve Carell, actor ($25 million)
23. Robert De Niro, actor ($24.5 million)
24. Sarah Jessica Parker, actor ($24 million)
25. Katherine Heigl, actor ($24 million)
26. Shawn Levy, director-producer ($23 million)
27. Oren Peli and Jason Blum, writer-director-producers ($22.5 million)
28. Robert Downey Jr., actor ($22 million)
29. George Clooney, actor ($22 million)
30. Matt Damon, actor ($22 million)
31. Reese Witherspoon, actor ($21 million)
32. Angelina Jolie, actor ($21 million)
33. Jennifer Aniston, actor ($20 million)
34. Sandra Bullock, actor ($20 million)
35. Robert Pattinson, actor ($18 million)
36. Clint Eastwood, actor-director-producer ($17 million)

38. Mark Wahlberg, actor ($16 million)
39. Shia LaBeouf, actor ($15 million)
40. Brad Pitt, actor ($13.5 million)

SOURCE

Via pattinsonlife

It’s Showtime!
Annie Leibovitz photographs the nine dolls on V.F.’s cover, as Evgenia Peretz explains why Anna Kendrick, Kristen Stewart, Carey Mulligan, et al. are nobody’s playthings. Plus: Go behind-the-scenes of Annie Leibovitz’s photo shoot.

The Cupid’s-bow lips, the downy-soft cheeks, the button nose: 27-year-old Abbie Cornish has those Ivory-soap-girl features we’re so familiar with, and yet hers is a face it’s hard to stop staring at—testament to the intelligence, vulnerability, and sensuality she brings to her characters. Her breakthrough for American audiences came with fellow Australian Heath Ledger, as a junkie in 2006’s Candy, free-falling from invincible heroin highs to soul-seizing anguish. Kimberly Peirce’s Stop-Loss saw her fleeing the law with Ryan Phillippe’s character. (Enter some real-life drama: Phillippe, then the husband of Reese Witherspoon, would soon become her boyfriend.) She may have been her loveliest in Jane Campion’s Bright Star, playing John Keats’s muse, the flirty and forthright Fanny Brawne.

With her patrician looks and celebrated pedigree—she is the daughter of American operatic soprano Maria Ewing and legendary British theater director Sir Peter Hall—one might assume that Cambridge-educated Rebecca Hall, 27, waltzed into an acting career on her name alone. Well, O.K., it didn’t hurt in the beginning, when she starred, at the age of 10, in her father’s television adaptation of the British novel The Camomile Lawn, or 10 years later in his production of George Bernard Shaw’s Mrs. Warren’s Profession. But her pitch-perfect realization of an indignant, tightly wound American in Woody Allen’s Vicky Cristina Barcelona (2008) proved she had the chops and the charm, and her sophisticated wit landed her the role of David Frost’s delightfully fabulous girlfriend in Ron Howard’s Frost/Nixon. Next up is Nicole Holofcener’s Please Give, and Ben Affleck’s Boston crime drama The Town.

At just 24, Anna Kendrick has already shown impressive range, from Bella Swan’s twit friend Jessica in the Twilight saga to George Clooney’s buttoned-up colleague in Up in the Air. At age 12, the Maine native was nominated for a Tony Award, for her role in the 1998 musical High Society. After she auditioned for the role of Natalie in Up in the Air, she thought she’d tanked, given director Jason Reitman’s utter non-reaction. Turned out he’d written the role for her, after having seen her in the small high-school film Rocket Science. Next, she’ll star with Michael Cera and Jason Schwartzman in Scott Pilgrim vs. the World.

Carey Mulligan’s first movie role was as Keira Knightley’s giddy sister in Pride and Prejudice. A moment later, the former Catholic-boarding-school student was the buzz of Sundance, thanks to her exquisite performance as a 1960s English high-school senior in An Education. Big-league directors haven’t wasted any time in filling up the 24-year-old’s dance card. Mark Romanek chose her as the lead in Never Let Me Go, while Oliver Stone cast her in Wall Street 2: Money Never Sleeps, as the daughter of Gordon Gekko and the fiancée of trader Shia LaBeouf—who also happens to be her real-life love.

She was more dippy than mean in her 2004 film debut, Mean Girls, announcing vacantly that her breasts could predict the weather. But it took a most unlikely confection—the movie musical Mamma Mia!—for the world to see Amanda Seyfried in her full, dewy, wide-eyed loveliness. Since then she has become the go-to girl for modern fairy tales, including Lasse Hallström’s Dear John and the forthcoming Letters to Juliet. But watch for a 180-degree turn in this month’s Chloe, Atom Egoyan’s artsy sexual thriller, in which 24-year-old Seyfried plays the alluring, troubled complication in a failing marriage.

In an era in which every teen star has a stylist and a bland pop record, 19-year-old Kristen Stewart is the tough-minded, no-frills anomaly. Stewart played Bella Swan not as a cartoon but as anxious and complicated—making the predicament of being torn between a vampire and a werewolf seem … well, almost plausible. The daughter of a television-producer father and an Australian script-supervisor mother, the L.A.-bred Stewart has been consistently drawn to melancholy over flash. Between Twilight installments, her edgy trajectory will continue with Welcome to the Rileys, about the friendship between a stripper and a married businessman, played by James Gandolfini, and The Runaways, about rocker Joan Jett.

Emma Stone, 21, emerged from the Judd Apatow comedy crew, having held her own in Superbad, as Jonah Hill’s way-cool, super-smokin’ home-ec partner, and she struck gold with Zombieland. But her comedy credentials go all the way back to Arizona, where she grew up idolizing Gilda Radner and Molly Shannon and cut her teeth with a local theater troupe. At age 15—after giving her parents a PowerPoint presentation about ditching high school for a career in acting—she left with her mother for Hollywood, where she grew into that alluring raspy voice and the Jessica Rabbit looks.

Mia Wasikowska, 20, is the daughter of a Polish photographer mother and an Australian painter-and-collagist father. Her breakthrough on the HBO series In Treatment, as the fragile and yet fierce gymnast Sophie, suggested a deep intelligence and a reservoir of talent. Director Edward Zwick cast her in Defiance, about a group of Polish Jews banding together to escape the Nazis. Next she will play the title role in Tim Burton’s Alice in Wonderland, the love interest in Gus Van Sant’s next film, and the daughter of Julianne Moore and Annette Bening, two gay moms, in Lisa Cholodenko’s The Kids Are All Right.

Evan Rachel Wood, 24, got her start locally, playing Helen Keller opposite her mom in a North Carolina production of The Miracle Worker. When her parents divorced, she moved to Los Angeles with her mom and soon mesmerized audiences in Catherine Hardwicke’s Thirteen, a tour de force of teenage angst. This tightly wound rebel soul attracted the likes of Woody Allen, who cast her in Whatever Works, Julie Taymor, who picked her for the lead in the surreal Across the Universe, and Darren Aronofsky, who chose her as Mickey Rourke’s estranged daughter in The Wrestler—and rocker Marilyn Manson, to whom she is engaged. Given that her interests lie anywhere but on the beaten path, is it any wonder her upcoming superhero project is Spider-Man … the Broadway-musical version, directed by Taymor and set to the music of Bono and the Edge?

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